Director: Per Hanefjord
Editorial: Nordic United, Stockholm, Sweden
DOP: Calle Persson
Producer: Tristan Orpen Lynch / Aoife O'Sullivan / Donna Eperon
From studio sets in Tallaght, to the Great Island Power station in Wexford to Weston airport, Cirrus Media provided an uninterrupted service delivering coloured and synced rushes everyday direct from location to Editorial in Sweden via the Cloud. Same-day rushes were also available to view securely on phones, tablets and laptops, while all original high res camera files were checked, QC'd, backed up to HDD and archived to LTO throughout this 10 week shoot.
Director: Matthijs Van Heijningen
Editorial: Work, London
DOP: Joost Van Gelder
Producer: Max Brady / Orla Bleahen Melvin
Shooting 2 Camera ArriRAW, from Dublin to Middleton in Cork, Cirrus Media were on location to provide the full rushes service and data management. We ran Live Grade for the DOP, then delivered the coloured and synced rushes to Editorial in London via the Cloud, continuously throughout this five day shoot. All RAW data was secured and processed on location throughout the shoot days.
Check out the final ad here: https://www.youtube.com/watch?v=Di16EanY_wQ
Director: Ben Newmann
DOP: Luke Scott
Producer: Dara McClatchie / Helen Hayden
Shooting two cameras ARRI RAW in the bowels of Croke Park stadium in Dublin, full on-set data management, processing, QC and back up were provided by Cirrus Media.
See the finished spot here https://www.youtube.com/watch?v=ULq77oHPgMQ
Director: Joe Marcantonio
DOP: Benjamin Kracun
Producer: Kate Rowland
Shooting for 2 days around Eyeries, Cork on the south west tip of Ireland, Cirrus Media were on location to provide full data management where all camera original files were checked and backed up, coloured, transcoded and synced for Edit in London.
Check out the final ad here: https://www.youtube.com/watch?v=ByRHeWiQENA
Director: Marcus Ulbricht
Editorial: Cine Impuls, Berlin
DOP: Guntram Franke
Producer: James Flynn / Ronan Flynn / Ingrid Goodwin
From the Dublin mountains to Barley Cove on the south west tip of Ireland, Cirrus Media provided an uninterrupted service delivering coloured and synced rushes everyday direct from location to Editorial in Berlin via the Cloud. Same-day rushes were also available to view securely on phones, tablets and laptops.
Director: Todd Biermann
Editorial: Jax Media, NY
Producer: (Ireland) Morgan O'Sullivan / James Flynn / Séamus McInerney / Jane McNally
When American TV series 'Younger' shot for four days in Ireland, Cirrus Media were on location to provide the full rushes service and data management. Starring Sutton Foster and Hilary Duff, all camera original files were checked and backed up, coloured and transcoded for Editorial, synced and uploaded direct to Editorial in New York continuously throughout each shoot day. Same-day rushes were made available for Execs to stream at wrap daily.
Director: Joshua Neale
Editorial: tenthree, London
DOP: Joe Cook
Producer: Andrew Freedman / Glen Collins
Shooting for 4 days around Dublin and Wicklow, the synced, coloured and transcoded rushes were continuously pushed directly into the media servers at tenthree editing in London within hours of camera capture.
Check out the very heart warming final ad here: https://www.youtube.com/watch?v=kgImshSejQo
Director: Steve Barron
Editorial: Freelance Editor, UK
DOP: Sam Renton
Producer: Kieran Corrigan / Patrick O'Donoghue
Starring Tom Berenger and Beau Bridges, and directed by Steve Barron, this feature shot for 4 weeks around Wicklow and Dublin. Synced, coloured and transcoded for Avid HD editing in the UK, the rushes were uploaded from the set throughout each shoot day. Streaming files for Exces to view on their phones, tablets or laptops were ready on wrap each day also.
Director: Stefanie Sycholt
Editorial: The Post Republic GmbH, Berlin
DOP: Seamus Deasy
Producer: James Flynn / Ingrid Goodwin
Based on the novel by Cecelia Ahern, this Irish - German co-production shot for four weeks around Dublin and Wicklow. Cirrus Media delivered synced and coloured rushes from the location daily to Editorial in Berlin, while the Director and German Execs reviewed the day's material at wrap on their phones, tablets and laptops.
Director: Michel & Nico
Editorial: Gramercy Park Studios, London
Producer: Dara McClatchie / Jane McNally
From the National Sports Campus at Abbotstown and Croke Park, Cirrus Media delivered synced Avid DNXHD rushes direct to Editorial in London continuously over this two day shoot. Shooting Arri RAW, all data was secured and processed on location throughout the shoot days.
Watch the finished promo here: http://www.skysports.com/watch/video/sports/10881341/gaa-returns-to-sky-sports
Director: Laurence Dunmore
Editorial: Bug Editorial, NY
Producer: Emma O'Beirne / Dara McClatchie
Shooting in Moran's of Mornington in Co. Meath, Cirrus Media were on location to provide the full rushes service and data management. All camera original files were checked and backed up, with same-day rushes coloured, transcoded, synced and delivered to Editor Andre Betz, working out of Dublin city centre.
Watch the finished ad here: www.youtube.com/watch?v=hGZSixnpBFc
Director: Ken Wardrop
Editorial: Windmill Lane
DOP: JJ Rolfe
Producer: Andrew Freedman
Featuring Lidl stores in Dublin, Cavan, Tipperary and Cork, Cirrus Media were on hand to deliver the synced rushes to Editorial via the cloud continuously each day throughout this eight day shoot. With up to six hours of DNxHD synced Avid files flowing into Editorial daily from around the country, Cirrus Media also made the dailies available to stream so Agency execs who couldn't travel to location could view the rushes every day from the comfort of their office. All within hours of cameras rolling. That's some serious cloud power!
"There are very few companies I would trust with such a specialised job like this. Peter and Richard in Cirrus Media delivered a flawless system which was customised specifically for our project. They impressed me with their professionalism, rigour through their comprehensive pre-production tests and their can-do attitude. This is clearly the way forward."
Andrew Freedman, Producer
See the finished ads here:
Director: David Gray
Editorial: WORK, London
DOP: Glynn Speeckaert
Producer: Emma O'Beirne
When Harvey Keitel as Winston Wolfe is in town, and the Director and Agency are over from London to shoot the ad, Cirrus Media are the people to look after your rushes! We ran Live Grade for the DOP, then delivered the transcoded rushes to Editorial in London within hours of camera capture continuously throughout this four day shoot.
Director: Stevie Russell
Editorial: Screen Scene, Dublin
Producer: Anne Marie Curran | Russ Russell
From location on Inchydoney beach, Co. Cork to Screen Scene post production facilities in Dublin city centre, Cirrus Media delivered a continuous flow of synced, coloured rushes throughout the two day shoot via the Cloud. Secure back-up of the original Arri Alexa camera rushes was also provided.
See the completed ad here:
We like these words from Aidan Quinn in the ad:
“In our soul there is a relentless desire to make things faster, smarter, sleeker…”
Director: Morgan Bushe
Editor: Derek Holland
Producer: Rory Dungan | Kathryn Kennedy | Morgan Bushe
From remote locations in north Dublin, to the Editor in Waterford, and simultaneously to the Assistant Editor in Dublin city centre, Cirrus Media delivered a continuous flow of synced, coloured rushes daily from the four week shoot, via the Cloud.
“This really works! The application downloads and manages the data in the background, I simply hit the ‘Acquire’ button and a new bin pops up in my Avid with the synced marked-up rushes! I was cutting scenes in my home Avid edit suite within hours of camera capture, hassle free. My assistant Editor 200kms away from me was receiving the same files at exactly the same time as me, so he could get going helping with assemblies and then we just swapped bins. It was like having my assistant in the room next door to me”.
Derek Holland, Editor
“I was standing on a beach in north Dublin looking at a 2 minute assembly of a scene I had shot that morning, cut in an Avid over 250kms away…”
Morgan Bushe, Director